Tag Archives: culture

staycation, all i ever wanted

This weekend, I found myself with an unexpected block of time on my hands. OMD closed on Friday for the day, giving me a four day weekend. Originally, I had planned to go to a BTC3 camp in Virginia, as a trainer, to assist there as needed. (“BTC3” aka “Brownsea Training Camp v3.0” is the B-PSA weekend experiential training for leaders). However, with 12 trainers and only 7 attendees, I wasn’t actually needed at the camp. Still, I wasn’t particularly needed at home, either: both Ben and Paul have gone to Pittsburgh for the weekend to visit Paul’s family. Without work, without my men, without even my friends (who all left town this weekend), I was suddenly left with four days of unscheduled time.

Fortunately, I have never had a problem filling time. I always have a zillion things I would like to be doing at any given moments, but due to the limitations of time and energy, I find all those things difficult to actually get to in the course of a day. So I promptly filled up the weekend with a whole list of things I wanted to do, and then got to about half of them, which is par for the course.

I started my weekend, however, in Pennsylvania, visiting my friends the Northeast Commissioners for B-PSA. Basically, it was Scout nerding out for sixteen hours. As the NYC Commissioner, I oversee the biggest concentration of Scouts in the Northeast, and working through how NYC as a District works and integrates the Northeast as a region has required some discussion. Also we all love talking about just general Scout stuff, like hikes, songs, skits, get togethers…and that’s just for the adult Scouts. Talking about shared visions for our particular organization is also one of my favorite things ever, and I loved being able to visit my fellow Commissioners and talk through all the things we want to do.

Also, we got to go to Longwood Gardens, which is seriously like an American Versailles, except it doesn’t have a chateau. But it does have both formal water gardens as well as meadows and treehouses. It reminded me of Versailles because it had both sides of the planned garden experience: the formal gardens, and the composed countryside, almost like Marie Antoinette’s hamlet

After walking the gardens though, it was time to say goodbye. My fellow Commissioners were packing up their Pathfinder and Timberwolf and heading to BTC3; I was heading home to NYC. Of course, despite the day off, I was still on a schedule: I had had to cancel my Thursday lunchtime session with my anxiety therapist due to a client call no one else had the knowledge base or authority to cover. I had rescheduled to Friday at 4:15 and, assuming that I might not have time to go to Brooklyn and park the car, I chose to pre-book parking as close as possible, near my office in Lower Manhattan. And the timing actually worked out perfectly: despite a slowdown in the Holland Tunnel that appeared during my half-hour snack-and-pee-break in New Jersey, I made it to my appointment at exactly 4:18pm.

After I finished at 5pm though, that was when my free time really started. I had the car parked until 10pm, was already wearing my workout clothes, and had taken advantage of a ClassPass “two weeks free” offer. It was time to go do some sort of trendy workout where I would be the oldest and heaviest person in the room! Enter FitHouse!

The studio is set up with Insta in mind, but the workouts are still real.

I then decided to get a CitiBike, which I almost never use because I prefer my own bike. CitiBikes are heavy, and it is almost impossible to feel like myself when riding one. I’m used to flying down a street, leaning over my handlebars, my center of gravity ready to swerve between cars, my hands and elbows loose to absorb shocks when I hit NYC potholes. CitiBikes force me to sit up straight in a way that makes it impossible to merge with the bike like it’s an extension of myself, like how I feel on my bike, plus I have to have my arms out with my elbows almost locked, which is much more jarring. However, needs must when in the city, and I just wanted to get from Tribeca to Bryant Park with a stop at Trader Joe’s for a picnic.

Why Bryant Park, you may ask? Bryant Park was where I was going to see the “picnic performance” of Othello, a Shakespeare play I had not seen before, but one where I was very curious to see. Why did Shakespeare choose to tell the story of a black man? How did this reflect the emerging globalization of the times? What cliches about racism remain consistent to this day about black men? Put into the modern American context, Othello raises a lot of questions – which may be why the play directors chose modern America military dress for the men, with white outfits of varying modesty for the women.

There is also something surreal about seeing plays with a city of glass in the background

After Othello, I was out of time on my parking, and so, I headed home: across the Brooklyn bridge, back to Prospect Heights. One thing I had not considered, however, was the impact of the West Indies Celebration on my neighborhood at the beginning of the weekend. I had expected more people coming in towards the end of the weekend, especially on Sunday night when the celebrations run all night long, and on Monday when the parade goes down Eastern Parkway two blocks away. I had not, however, considered that all my neighbors would have friends and family visiting, and my street would be so short on parking that cars would be double parked, possibly waiting hours for spots. I know in theory that two million people show up each year to celebrate West Indies culture, but I had neglected to consider that many of them would be arriving via car for the weekend. Cue twenty minutes of desperate circling, before eventually catching a car leaving a spot a quarter mile away.

And then, that was it: the end of Friday, of Day One. I always miss my men when I’m away from them, but it was so nice to be spending the day knowing that just because I was on my own, did not mean I was taking time away from Paul and Ben to do so. I see so little of my men on a day to day basis – between work and school, we’re almost like roommates during the week (and I have a whole comedic monologue about what a terrible roommate Ben is). I’m therefore reluctant to spend time on my own, away from them, when they’re available for me to spend time with. This weekend, however, there was no option for me to be with my family. There was only my time, and how I would spend it. And with Friday over, I was very content with the choices I had made for that time.

Why so serious?

Paul and I were glad to end up in NYC for many reasons. Not the least of these is that there is still a goth scene here. Goth is a dying subculture, after all, in a quite literal sense. In cities all over America, clubs are closing and in places where the subculture wasn’t strong to start with, it hasn’t taken much to wipe it out entirely. And while my husband and I do not feel like we need to be hardcore goths every single day, there are times when we just want to wear our stompy boots and black outfits and dance with each other to that particular strain of melancholia that is goth music. Hence, we are happy to live in New York, the birthplace of American goths, and one of only a handful of cities remaining with a dedicated scene.

And so, we have been trying to explore the goth scene, and trying to understand where we belong in it. In Los Angeles, we knew all the promoters and clubs. We followed DJ Xian, with her synth pop and steampunk scene. We went to Das Bunker, with its three rooms of hardcore industrial, retro EBM and powernoize. And we went to Bar Sinister, Los Angeles’ longest running, privately owned goth club, which was predictable in the best way possible in that it always looked and sounded like something out of a dystopia, plus it had both a live band playing outside and a dance floor. (I saw Shiny Toy Guns there. Before they were cool)

We have found some clubs we really like in the process. Two weeks ago, we went to Necropolis, in the basement space of a club in the Lower East Side. We were early, and walked in before midnight to a DJ a little older than us, playing a mix of what we could only describe as real goth, first-wave goth, classic goth rock from before the culture started evolving and splitting into sub genres in the 1990s. It’s a style of music we know, and like, but not a genre where we know any artists beyond the big, popular, bands that are still staples of clubs everywhere – bands like Virgin Prunes or Christian Death, or, most recognizably, Sisters of Mercy.

The second DJ who came on was playing music that was more from what we think of as “our era”: Rosetta Stone, London after Midnight. I bounced off the floor when he threw in an EBM dance track: Icon of Coil’s “Dead Enough for Life” (it had been so long since I’d heard it that I didn’t remember the song title, even though I was happily singing along). But after that oneindustrial techno track, it was 1990s goth rock – not a synthesizer, sample or drum machine to be heard.

I’m used to second -wave clubs where the DJS play a mix of synth, electro, Deathrock and mandatory classic goth tracks. In fact, a year ago, if someone had told me there were clubs where no one put VNV Nation on the playlist, or where it wasn’t mandatory to play “This Corrosion” once a night, I would have been surprised. After all, I came of age in the goth scene in 2000, in Seattle, which, at the time, was all EBM and electronic industrial and the Metropolis record label. And Los Angeles, much to my surprise and delight, was very similar to Seattle. I adapted fast to L.A., and it was that existng familiarity with the West Coast goth scene that led to meeting my husband at Bar Sinister a few months after I started going back to goth clubs.

But here in NYC, there is no Bar Sinister…or, at least, we have yet to find it. There is no self-stereotyped goth club, nothing that is borderline vampy and campy like Sinister was. The scene here is serious, old-school serious, Deathrock and goth rock and post punk dominate, and there are none of the new goth bands (like my beloved Birthday Massacre) to be heard. My equally beloved rave-influenced electronic dance music is missing, and instead, everything is from a generation I missed entirely. Not by much, mind you – the advent of electronics and synthesizers into goth coincided with my 21st birthday – but it’s still something I never picked up.

It isn’t that I don’t know or haven’t heard of these bands. I know who Mission UK are, or Gene loves Jezebel, or Fields of the Nephilim. I definitely know the Chameleons, because “Swamp Thing” is our song, a late 80s alternative track that my husband liked enough to gain enough courage from to ask me to dance, all those years ago (and we played it at our wedding, and I sang it to Ben as a lullaby). But hearing these songs without a track listing in a club, I can’t identify the artists. Much of it has that melodramatic sound, the melodic, mournful sound of that late 80s/early 90s goth rock. Or it has the sharp edges and asynchromatic nature of post punk, the discordant, minimal bass, guitar and drum around less sung than spoken vocals. ( Paul likes post punk better than I do – it overlaps with his indie rock nature.)

And it has been like that in the clubs we have been to in Lower Manhattan. Maybe its that these clubs are in “Gothtown”, the East Village, Alphabet City and Lower East Side scene that goth came from, and it just hasnt changed since. The only other major variation has been the extremely stompy hardcore industrial club that Paul enjoys, but it is really stompy, like Skinny Puppy stompy. Before my time, and not my variation, either – I was never a rivethead.

It is also a different scene here, in terms of dress and fashion, than it was in LA. The biggest DJ/promoter in LA was DJ Xian, who somehow managed to run and play at multiple clubs. Her influence skewed to New Romantic and synth pop, in clubs like Malediction Society and MODE:M, which was an entire night of music influenced by Depeche Mode. She ran Alice in Wonderland and Victoriana special events: Paul and I spent one NYE at a party called “Theater des Wyrm”, complete with absinthe. This fit my corsets and long dresses style perfectly. I have always been a Victoriana style goth, and my favorite clothes – the ones I feel most comfortable in – are ankle-length, laced at the waist, and high necked, preferably with lace sleeves and visible lacing.

The box of clothes I brought from LA are therefore all skewed to this aesthetic. Yet I don’t see any steampunk or repro Victoriana in the clubs here. I don’t even see much cyber goth, although that may be more due to cyber goth being outdated. (I flirted with cyber goth ten years ago, but even then, my PVC dress was ankle length…and I was never able to get the cyber goth braids and dyed hair I wanted because I work in office jobs)

But while I miss the predictability and the familiarity of the L.A. Goth scene, I am getting used to this more old school version of the goth scene. It’s still a scene, a sound, a style I love. It’s still music I like and enjoy listening to, even if I don’t know it. And that’s why, when I went out with my husband two weeks ago, we still managed to dance for an hour, even though we didn’t know the music by heart. It was music we liked, it was our people, and we could have stayed all night had we not been already tired.