Category Archives: books

out of hibernation

I am a big fan of the Thursday Next series, the alternate reality, extremely British series by Jasper Fforde. Last year, I read his new, even more insane book, “Early Riser“:

“Bonkers” is a very good word to describe this one

The basic premise of “Early Riser” is that everyone hibernates, like bears, through the winter. Society is therefore structured around the hibernation season: eating more leading up to winter, surviving the winter without starving to death, and shutting down everything that isn’t absolutely essential during the winter season. For those of us with seasonal depression, this actually sounds like a fantastic idea as it would relieve 100% of the pressure on us to function during the winter months.

Unfortunately, we do not live in a society structured around winter hibernation, and as a result, I have to keep functioning until the time change and vernal equinox in March. With depression though, I have to expend twice as much energy to accomplish what feels like half as much work. It is difficult to start an activity or action, and I do not feel any sort of joy or sense of reward from completing it. With the commitment level that I have in my life, I then feel stress, anxiety and guilt for not having completed the tasks that I owe to other people, whether that is at my paying job, my volunteer work, or to my family. The resulting pressure mounts up over the next few months and by March, I’ve usually hit a wall:

Cycle of depression and anxiety

This year, however, I’ve been blessed in that spring seems to have come early to the Northeast. The weather this weekend has been sunny and brisk, but not freezing. The world is filled with light and early blooming spring flowers. I feel like I am waking up, like my hibernation is over, like it is mentally safe to emerge and take back on my usual day to day existence without having to fear that I won’t be able to honor or complete my commitments. We may be doomed to changing weather patterns in the Anthropocene, but at least the 2020 weather patterns are benefiting me personally!

Still. I wouldn’t mind a hibernation period every winter. I would love it if nothing was expected of me every winter for about three months, while I slept and allowed my brain to rest and heal itself. Perhaps someday I’ll be in a position where I can align my life with the seasons, allow myself not to fight and struggle as hard as I can against the constraints of depression every winter. Perhaps I am made to hibernate. Between the idea of hibernation, and the concept of literature as a driving force of society, Fforde is onto a lot of alternate reality ideas I would be happy to get behind.

now panic and freak out

Many, many years ago, back at a small agency called Integrated Media Solutions (now integrated into Assembly at MDC), one of the agency owners thought it would be smart to put “Keep Calm and Carry On” posters around the office. My immediate smart-ass response was to purchase a “Now Panic and Freak Out” T-shirt

Image result for now panic and freak out
This was honestly more apt for the context at that job.

It’s a good thing that I still have that T-shirt, because this mentality has taken over the entire world this week as the coronavirus panic spreads across continents. My college friend who is now in Basel, Switzerland is waiting to be put on quarantine. My former co-worker in Melbourne, Australia is trying to buy supplies at the local grocery store only to find bare shelves. And here in New York, lines for Trader Joe’s are two hours long, while the Park Slope Food Coop volunteers frantically try to keep the shelves stocked. Y’all, it is not even a real apocalypse and you’re all terrifying me in your survivalist style hoarding.


WHY ARE YOU BUYING WATER???
YOUR TAPS WILL STILL WORK.
Panicked New York shoppers are stocking up on water and toilet paper (Photo NY POST)

I am rationally not afraid of COVID-19: Paul and I are both young-ish and in good cardiovascular shape, and this particular disease only manifests as a bad cold in 80% of the population. What is terrifying is the global response that triggers my anxiety from years of reading flupocalypse novels. I’ve read The Stand at least four times. Station Eleven captured me with the intensity of its characters and vision, an elegy for the world as we know it today. Severance struck me with the comparisons of nostalgia and routine comfort to a fatal disease. All of these are haunting novels that portray the extreme transformation of the human aspects of the world due to the spread of a highly contagious flu, and I have absorbed each of them. Hence my low grade fear and anxiety as everyday people around the world engage in preventative actions that could well be from any of these books. It is too easy for my brain to connect the coronavirus preparations being taken in NYC to plot points taken out of an apocalyptic narrative.

Most recently, I read Kimi Eisele’s The Lightest Object in the Universe, which is described as “hopeful apocalyptic fiction” for its depiction of communal living and support among neighbors. However, the book opens with a quick history of how the infrastructure fell apart, depicting a series of economic and environmental factors, including the flu, leading to the breakdown of electricity and supply chains:

“The Lightest Object in the Universe”, Kindle edition.

Eisele’s factors are more Snow Crash than the Stand, with hyperinflation and oil supply chain breakdown. While the complete breakdown of the supply chain and power grid may be unlikely in the immediate future, the impact of the coronavirus on the world economic markets has made me feel that we are all more financially vulnerable than we would like to think we are. Seeing the impact of the virus on the world’s economies, combined with the obvious drain on the supply chain from stockpiling for quarantines, it is a reminder that the reason dystopian fiction sells so well is because we are always only two steps away from society potentially breaking down, with or without without the electrical infrastructure we’ve built on for the last century.

In the event of a breakdown of society in the U.S. though, my family unit is better poised than most to survive thanks to our experience in the Scouting and Guiding systems. I have never been worried about mine or my loved ones’ survival. Rather, I have been worried about having to deal with everyone else acting like a crazed maniac in irrational attempts to survive. Seriously, New Yorkers, you are buying bottled water and stripping stores bare over one confirmed case in Manhattan where the woman is already quarantined. Stores are sold out of what I still call “SARS masks”, even though less than half the population bothers to get a flu shot. I can’t find the statistics but I would bet money that the same people who are preparing for the flupocalypse are also not washing their hands any more frequently than before. What kind of mayhem would result if this disease had a higher mortality rate than 2.4%?

Fear of the disease has become irrelevant in the wake of the imminent disease strike in NYC though, so we’re preparing for quarantine at home. We’ll stock up on dried beans and rice, canned tuna, frozen and long-life storage vegetables. We’ll prep to work from home, or to have stores around us closed, because we can. I am more concerned for those who cannot take time off, or who cannot afford to stockpile, or both. Food pantries are worried about providing supplies to people in case of a quarantine. Care workers, especially those working with vulnerable populations like the elderly or hospitalized, are already underpaid and given little time off – is it any wonder that the outbreak in Seattle is centered around a seniors care facility? We have set up a society where we have a massive working population whose pay and vacation are so limited that they literally cannot withdraw from contact with others at the risk of food and shelter insecurity. It is meaningless to have a quarantine in a society with this level of inequality. Perhaps, after all, a societal collapse is not only imminent, but needed: a panic and freak out for the ages.

The author my son and husband BOTH dislike

Image result for perdido street stationOne of my favorite fantasy series is China Mieville’s “New Crobuzon” trilogy: Perdido Street Station, The Scar and Iron Council.  This is the steampunk and magic laced world with a corrupt capitalist government, where social, racial and cultural differences are exploited for the political and fiscal gain of the corrupt upper echelons of the city (a familiar story).  The city of New Crobuzon itself is an alternate existence of London, dense with neighborhoods that spiral out over time from a central point on its Thames, the Gross Tar.  Each neighborhood has a history, each neighborhood has its races and cultures, each one is distinct.  New Crobuzon, as a world, is as much about urban history and urban geography and urban sociology as it is a fantasy realm.

I love cities.  I love the stories of cities, how they grow, how neighborhoods are built and change over time.  Therefore, I threw myself wholeheartedly into Perdido Street Station.  I saw, in my imagination, the descriptions of each neighborhood, from the scientific quarter of Brock Marsh, to the abandoned projects of Dog Fenn.  I understood the backstories of how neighborhoods came to be occupied by specific immigrant groups.  I especially loved reading about some neighborhoods went from mansions to slums and back again, keeping tenements as museums to past poverty in their midst (we have one of those!).  And I especially appreciated that, as in all great cities, New Crobuzon grew along its trains, its El, the trains the commuters still take each day, the million ordinary people of a fantasy world, traveling to and from work in a universe full of monsters and magic, between their version of the Outer Boroughs and their white-collar jobs.

Paul was not as much a fan of this concept.  He’s fine with world building – he has slugged through King’s Dark Tower series, which I don’t have patience for – but not an urban studies textbook disguised as a steampunk fantasy.   His response was that Mieville spent too much time city building and writing a Lonely Planet: New Crobuzon and not enough time actually developing characters or plot.  I pointed out that the character development is great in New Crobuzon, it’s just that each character also has to function as a representation of their class, race and culture almost as much as they are a separate being in their own right.  Each character has to also either exemplify their people, or illustrate their community through their outcast or outsider status.  Nothing tells us about a people and their culture like those they choose to exile among them.

Therefore, I should not have been surprised when Ben flat out refused to engage with the children’s version of New Crobuzon: Un Lun Dun.  We’re attempting to read this right now as the nightly bedtime story, and I’m just not getting anywhere with it. There’s a lot of eye rolling, especially when I have to explain the English language:

Image result for un lun dunME: Binja!  Get it?  Bin…ja?  They’re bin ninjas?
BEN: They’re garbage cans with legs and nunchuks
ME: English people call a trash can a bin.
BEN: *eye roll*

I also love Un Lun Dun.  It’s not the flip side of London that Kraken is, but it is a travelogue through a London’s dreams, a city built of London’s cast offs, both material and thought, a city of random buildings and people, traditions and creatures.  There’s ghosts and monsters, creatures of all  shapes and sizes.  There’s houses made from M.O.I.L. – Mildly Obsolete In London – which means typewriters and cassette tapes.  There’s even a November Tree, a tree made of solid light from Guy Fawkes fireworks.  And my favorite part of Un Lun Dun is how it flips the heroine’s journey around, changing how we think of destiny in these kind of children’s stories.  Perhaps it is time that the world gets saved by the “funny one”, not by the chosen one.

moil-houses[1].jpg

The ab-city, with its houses and dwellings made of everything, in every shape.

Ben, however, is not nearly as charmed and interested in visualizing the ab-city.  I therefore blame Paul for this.  My husband is less into world building that I am.  I want all my books to come with an expansive geography.  I own a copy of the Dictionary of Imaginary Places.  I love maps, I love places, I love cities,  and I love imaginary worlds that come complete with entire sociological histories..  Paul, however, would like his books to be less of an atlas of a mythological land and more of an actual plot and character driven tome.  I suspect our son has taken after his father because attempts to pull Ben into the fantasy books with the best, most memorable and detailed worlds have been met with resistance.  According to Ben, Narnia is boring.  Earthsea was really boring.  (Middle-Earth we are still working on).

I’ll keep working on this.  I want my son to have that sense of expansive imagination, to be able to imagine other worlds, with their own history and mythology, their own rules of physics and magic.  We’re going to flip into Neverwhere on audiobook over the  break.  I’ve got twenty-plus hours to fill with Gaiman and Tolkein and Lewis…and we are going to get through the rest of Un Lun Dun if it kills me.  I just have to figure out how to get my son excited about exploring these imaginary worlds with his mama.

 

the 2 things i got from “hungry heart”

I read Jennifer Weiner’s memoir, “Hungry Heart” this week.  It is a collection of essays, not an autobiography but more a series of autobiographical pieces.  And there are two key concepts I took out of the book:

  1. OMG SOMEONE ELSE FEELS THE SAME WAY I DO ABOUT JUDITH KRANTZ’S “SCRUPLES”.  I read the entire Judith Krantz oeuvre as a teenager, and strongly identified with her heroine from Scruples, Billy Winthrop Ikehorn Orsini.  For those of you whose mothers did not leave copies of Scruples lying around, we meet Billy Ikehorn as a rich beautiful widow, but she begins her life as a self described “fat freak”.  By the time she turns eighteen, she’s a five-ten, two hundred pound social outcast.  After a year in Paris, Billy loses the weight in an early version of the French Women Don’t Get Fat diet, and develops a stunning sense of chic through her boarding hostess, an impoverished French countess.  She then goes on to live in New York, where she has a lot of unapologetic sex in the Helen Gurley Brown model (social commentary!), and then marries an extremely wealthy man, who conveniently dies seven years later.  From there on, the book goes through her challenges running her own Beverly Hills fashion emporium, and her marriage to a movie producer…but that wasn’t a future I was interested in.  All I cared about was that there was a heroine in literature who looked like I did at sixteen, and who made herself into a beautiful, sophisticated woman of the world despite that.

    Jennifer Weiner also got this – she says that, to her, “Billy felt personal.”  This is the first time I’ve ever heard anyone recount their teenage appreciation for this 1973 work of fiction for this reason.  For Ms. Weiner, as for me, the appeal wasn’t just Billy’s social or financial outcast status, it was the height and her weight she entered adulthood with and the beauty and sophistication she achieved despite it.   I was also five ten by my twentieth birthday, and while I wasn’t two hundred pounds, I wasn’t far below it.  It was surprising to me that someone else who physically resembles me read this book and felt the same way at the same phase of life about this particular character and what she represented: the hope of becoming a beautiful, sophisticated woman despite teen years spent as a too-tall overweight freak.

  2. In more seriousness, the bigger concept I got is that women expend too much energy worrying and obsessing about their weight.  And when I read that, it became like a truth I couldn’t unsee.  How much time do we waste trying to be thinner and prettier that we could be putting into better uses?  Would Hillary have won if we’d all stopped fretting over calories and spin classes and really stared down the political situation?  Has our obsession with our weight distracted us so much that we cannot focus on things that are truly important?

It’s this second point that really frightens me.  I think about the amount of time I’ve spent dieting and obsessing about my weight and it makes me dizzy.  There was the constant calorie burning and calorie tracking.  There is the space in my head dedicated to an almost encyclopaedic knowledge of food macronutrients, which has led to an ability to play a version of The Price Is Right in guessing the caloric cost of everything I eat.  Most of all, there has been the insane amount of energy I have spent either anxious that I wasn’t doing enough, or berating myself because I wasn’t doing enough, and usually both at once.

 

We have also, by giving our weight such importance, made it a defining feature of success in a woman.  We have acknowledged that it is representative of the ability to achieve a goal to be able to meet a set of arbitrary physical standards.  If we do not meet that goal, we believe ourselves to be weak, undisciplined, unworthy of any sort of social rewards.  We either accept a lesser lot in life, or push ourselves through tremendous amounts of thought, energy and strength into losing weight.  And ultimately, we may choose to accept the worst of both options, expending time and energy and mental strength into a weight loss goal, and when it can’t be reached, accepting an inferior social status as the result.  When you believe you are too weak to lose ten pounds, how can you believe that you are strong enough to lean in?

So now we have created barriers of our own making.  We can’t level up our lives in other regards when are too afraid of being judged for our appearance.  We can’t put the time and energy into the things that should truly matter to us when we are pouring all this work into obsessing over food and exercise.  I’m not saying it’s a trap by THE MAN to keep us down, but it is a trap perpetuated by every man who judges us and deems us worthy of conversation based on our appearance, whether he says so or not.  And it’s one we perpetuate to each other, as we judge other women based on how hard we think they’re trying, how much work they’re doing: the last frontier of the America Puritan work ethic funhouse mirrored into judgement.

This is a scary thought, to realize how distracted we all are on this topic.  In “Lady Oracle”, Margaret Atwood’s character, Joan, realizes that there has been wars going on that she was barely aware of and wonders, “what else had been happening in the world while I was busy worrying about my weight?”  What if all women everywhere stopped worrying about our weight for a week and thought about the next thing down on the list: the fact that we have allowed our entire country to be hijacked by a man who continually reduces women only to the value of their looks.

What if we all put the kind of effort into reading the news that we do into trying to calculate a serving size?

What if we all stopped letting ourselves be distracted by our weight, and turned all that energy into asserting our equal status in Western society?

That is what I got out of reading Jennifer Weiner’s memoir: that physical size, both height and weight, color the entire life of a woman who falls outside of the socially accepted range for both.  And that’s kind of ridiculous.  And also that if Ms. Weiner has not read Lady Oracle she probably should.  As books in the subgenre of Fictional Women who Lose 100+lbs At Age 18 go, it’s a much better tome on the subject than Scruples.

 

 

lady oracle

As long as I could spend a certain amount of time each week [writing Costume Gothics], I was all right. I was patient and forbearing, warm, a sympathetic listener. But if I was cut off, if I couldn’t work at my current Costume Gothic, I would become mean and irritable, drink too much and start to cry.
-Margaret Atwood, “Lady Oracle”

Which is pretty much how I feel about being a goth. So long as I’m allowed time to dress in black, to trail lace and a sense of Victorian forboding, I’m fine. But force me into reality for too long a stretch, and I start to fall apart. I get anxious and worry too much, I focus too much on imagined slights. I seek out drama and misery for myself. Whereas, if I’m given a few hours of stomping to A23 or Combichrist, or bouncing around to Wolfsheim or And One, or dancing for joy to Nine Inch Nails, I remember who I am, and go back into reality with a renewed sense of self.

So. I’m supposed to meet my friends at Bootie tonight. And I love Bootie. I love dancing to mash-ups, and I love being in a room of people who are all just totally into the music and their own movement to it. I love the energy at the Echoplex. But what actually got me moving and hopeful tonight was the thought of going to MODE:M beforehand. I can probably pass the same outfit off at both – MODE:M is synthpop, and while I wear my best steampunk Victoriana to its sister event, Malediction Society, I can wear my sparking T-shirt, skinny jeans and boots to both a goth synthpop dance night, and a pseudo-underground mashup dance party.