Monthly Archives: August 2017

there must be social commentary in this workout

I went to ConBody this morning.  It’s a bootcamp workout on the Lower East Side, with a well documented story and theme around…convicts. Or ex-cons, to be exact.  The space isn’t a workout room, but a jail cell, complete with a cell door.  The wall features a mural of chain link and figures in hoodies.  The logo is a clock with barbed wire on it. The hashtag is #dothetime.  The branding is genius, and has landed a ton of press.

What’s more genius is that this is a business that actually does help to get convicted felons back in the employment market.  It makes their prison time an asset, not a detriment, in their career as physical fitness instructors. It won’t get them back all their rights, but at least it gets them jobs.  The founder, Coss Marte, from everything I have read, seems a genuinely nice guy, from a family committed to social good: his brother Christopher is running for district councilman in New York on a strong community service platform (Their mom was handing out his election pamphlets after she did the class with us.  AWWWW)

Incarceration is a serious problem in this country: the US locks up more people per capita than any other country.  Two million people are estimated jailed in this country, or just under 1% of all the adults in America.

pie2017[1]

Incarceration has been called “the new Jim Crow“: a race-biased system that perpetuates the caste system in America.  In her book on this topic, Michelle Alexander argues that incarceration is a method to keep black Americans “in their place”, a seemingly fair, equal and just system that instead is skewed towards POCs.  Not only does prison take away the freedom of a felon temporarily, but it is a permanent black mark that prevents that individual from fully exercising his rights in the future.  He may not be able to vote.  He may not be readily hired to work, resulting in economic disadvantage.

The prison system in America is known to be profitable and corrupt.  Not only do we have the for-profit corporation in a popular Netflix series, but even Margaret Atwood has written  satire about prison economics Now we may be recognizing the justice system as the new vehicle for racial sublimation.

So it is with no small amount of social irony that I, a middle class white woman, went off to do a bootcamp workout, in a room full of other middle class white people.  And it was a fine workout.  It was a bootcamp workout.  It was a hard bodyweight bootcamp workout.  And I appreciate and respect that.  I especially appreciate and respect that Coss Marte has managed to wrap up an equipment-free bodyweight bootcamp workout into a brand package that manages to be tough love and inspirational, threatening in a safe way.  He’s managed to make prison into a weight loss and transformation narrative that sells his service product for him.  He doesn’t need to buy thousand dollar bikes when he has that story to tell.

Now, ConBody has been extended into its own space at the ridiculously named Saks Fifth Avenue Wellery.  That is an even more glaring social irony.  From everything I have ever read about that neighborhood and that store, the women at the Saks location must make the girls down at the LES space I went to look like street punks.  I would bet that if they saw a ConBody instructor outside the space in a hoodie, the same UES women would clutch their pearls and eye him warily, perpetuating the same criminal stereotype bias.  Yet there’s the workout, and the same ex-cons leading it, in a space that also houses a fucking salt cave.  Is that a bright spot in the dark horrors of prejudice in America?  Or is it just a ridiculous juxtaposition?

Either way.  My quads are tired.  A 7am workout followed by a stressful day of chasing clients around their own offices is exhausting.  I’ve taken my magnesium and now I’m going to go handwrite in my private journal until I fall asleep.

And I would like to add that I did the time and then thought about rewarding myself for my “incarceration workout” with a cup of butter coffee with maca in it.  Then I realized how ridiculous I was being even thinking that sentence and got the hell out of the Lower East Side before I could spend the $7.50.  There’s being a spoiled white girl doing a jail themed workout, and then there’s going out after it to blow the same amount of money that some of my fellow New Yorkers probably have for food for the entire day on a specialty drink, and that was just one upper middle class wellness luxury item too far.

 

this taylor swift song is terrible

This is the second time in a week I’ve posted about Taylor Swift’s new video.  The first time was when VICE decided to fact-check her goth cred:

Typically, I don’t watch pop music videos (because seriously, why bother, NOTHING WILL EVER BE AS GOOD AS IT WAS IN THE 90s) but due to the “Taylor Swift goes goth” allegation, I felt it was something I needed to sit through:

Typically, I have nothing against Taylor Swift.  In fact, usually I find her songs well-written and catchy.  I certainly have to hear them enough times around the house given that I have a pop-music obsessed nine year old who insists on listening to Sirius Hits 1 in the car (Paul and I listen to FirstWave or Lithium or AltNation or CBC3 when we get to choose, usually when Ben is napping)

This song, however, is just awful.  It manages to repeat key changes while being totally devoid of melody.  It’s speak-sung with repetitive lyrics.  It’s like the video was conceived first and then some background noise was developed for it.  The best description for it is “lemonade Crystal Light”.  Only I think that’s actually an insult to citric acid.

By commenting on any pop culture, I hear the same sarcastic voice & comment that one would expect: well could you do any better?  And the answer to that is probably no, no I could not.  The thing is, it isn’t my job to write pop songs.  I haven’t spent my life training and perfecting the craft of writing pop songs.  Taylor Swift has, and arguably, she is very good at it.  Therefore, I expect her to use that craft to produce a song with a melody, not a novelty piece.

One could also argue that Ms. Swift is trying to do something different, that this is part of a reinvention of herself, “the old Taylor is dead”, etc.  The problem is that it just isn’t a well crafted song.  Taken without the video, it’s slow and repetitive.  Without visuals, it’s downright boring.  It isn’t something that can be danced to easily because the beat is awkward.  It’s different from the past singles that this pop ingenue has released, but lacks the familiarity with non-pop genres of music that could have provided more interest and engagement.

Or, to put it another way, if Taylor is going to go dark, listen to some goddamn Front Line Assembly and sample an industrial beat rather than just pulling together a weak song about revenge with a drum machine backbeat.  Or if she is going to go cinematically dark, I am fairly certain that there are plenty of examples of how to do that

Why am I complaining about this pop music piece in particular?  Partially because I’m up early thanks to some insomnia (it is hard falling asleep and staying asleep these days) but also because this music video just beat out “Gangnam Style” as the most viewed video on YouTube…and we are all going to have to hear it on a multiple times daily basis for the next few months.  It’s all over my RSS reader like it’s a video and re-invention for the ages, like it’s a great, groundbreaking single.  I’m not typically up on this sort of thing, but hasn’t this also been done?  Like by Madonna?  Or Lady Gaga?  Or Beyonce?

I suppose my point is that I have to go yell at some kids to get off my lawn and rant about how all modern music is terrible.  I just wanted to complain about this video in particular first before I do so.